The 2010 Gleaners project and tour has been completed although screenings will continue, including a special screening at the 8th London Short Film Festival on the 13 Jan 2011 at 20:00, in London Bridge (details here). Which includes short films from other archive projects and has been curated by Kate Taylor.
For further details on this project please contact Abandon Normal Devices
To find out more about the North West Film Archive please visit here.
Sam Meech’s blog is: http://smeech.co.uk/
And Jenna Collins’s website is here: www.jennacollins.com
Image from 'Moorland Incident', 1951, held by the North West Film Archive
Working with a selection of amateur fiction footage held by North West Film Archive, MORE REAL THAN THE EVERYDAY WORLD reflects on the possibility of collaborating with the original filmmakers through their films, asking what we can know about them through their narrative constructions, and what the writing of these constructions might entail and articulate.
The above seems to me to be what has come through the process of making the work and into the final piece (see ‘Two Propositions’ for a starting point). Thanks to Russell Moss for the camera work, and Paul Carr and Eddie Farrell for the additional music, ‘Dumka’.
Seaming has composed, performed, recorded and will perform live much of the music to MORE REAL THAN THE EVERYDAY WORLD.
Seaming To is a vocalist, multi-intrumentalist, composer and producer based in London and Manchester. She studied at the Royal College of Music in London before continuing operatic studies under Teresa Cahill at the Royal Northern College of Music. Continue reading
I am now into the final furlong of making my film, which has taken its form on the time line. The story itself has crystalized into a tale of people journeying to a promised land and losing themselves and their memories in the process. Over the few months I’ve been intermittently working on this project I have also been reading (and re-reading) a book by Russel Hoban called ‘Riddley Walker‘. This book has been a really great inspiration for me as its themes are similar in many ways.
I think you should watch this.
Rock My Religion (1982-84)
1982-84, 55:27 min, b&w and color, sound
‘Research and Presentation of All That Remains of My Childhood 1944 – 1950’, the title of Christian Boltanskis’ artist’s book of 1969.
Inside he writes, Continue reading
1. How are accents made, historically and geographically?
2. How does the body make an accent (the mechanics of the voice I guess)?